12th Shanghai Biennale: Proregress - Art in an Age of Historical Ambivalence
The constant combination of gain and loss, openness and fear, acceleration and reaction, which defines our era of “proregression”, also exists as a sensibility characterized by profound ambivalence. In this context, contemporary culture appears as a complex site of reflection defined by excess and powerlessness, transgression and repression, social activism and many brands of nihilism. Contemporary art appears as a production of singularity and refinement made of fragments of the social debris, encapsulating conflicting forces. “Proregress” provides a framework to explore the role of contemporary art as a means by which the struggles and anxieties of many different latitudes are reflected and turned into subjective experience, training the contemporary subject in the ambivalence the allows to tolerate the contradictory forces of contemporary life.
For the Chinese title of the Biennale, there has been chosen the concept of 禹步(YUBU), the basic mystic dance step of Daoist ritual in ancient China. This dancing technique makes the dancer look like he or she is moving forward while going backwards at the same time. Beyond translating a concept made of western binary concepts into Chinese, this figure also suggests the importance of the pursuit of a way of thinking and culture that ought to help thrive despite the ambivalence of our era.
Shanghai Biennale website